Writing: Elizabeth Jackson

As Light as a Painting. I wonder what the entirety of my house and its possessions would weigh if I were to put them all on a giant set of scales. Would it be heavier than my neighbours? Maybe all

Writing: Elizabeth Jackson

As Light as a Painting. I wonder what the entirety of my house and its possessions would weigh if I were to put them all on a giant set of scales. Would it be heavier than my neighbours? Maybe all

Writing: AV Festival review for Frieze

Published 20 March 2018 I’m sat at an imposing table in Newcastle’s Civic Centre with around 20 people discussing what provisions we’d take on an imaginary raft. From seeds to books, the group offers up a diverse range of things

Writing: AV Festival review for Frieze

Published 20 March 2018 I’m sat at an imposing table in Newcastle’s Civic Centre with around 20 people discussing what provisions we’d take on an imaginary raft. From seeds to books, the group offers up a diverse range of things

Exhibition: Anna Barham ‘Sick Ardour’ at Newcastle University

As part of my Curatorial Fellowship at Newcastle University, I’ve curated a solo exhibition of a new single screen film by Anna Barham. The exhibition is accompanied by a performance by Anneke Kampman on the 1st March. More information below:

Exhibition: Anna Barham ‘Sick Ardour’ at Newcastle University

As part of my Curatorial Fellowship at Newcastle University, I’ve curated a solo exhibition of a new single screen film by Anna Barham. The exhibition is accompanied by a performance by Anneke Kampman on the 1st March. More information below:

Writing: Text to accompany Beatriz Olabarrieta’s exhibition ‘The only way out is in’ at Sunday Painter.

  More information on the exhibition HERE. On the work of Beatriz Olabarrieta I’m sitting at a table on a chair that is too stiff in an office that is too warm, connected to the world outside by an old

Writing: Text to accompany Beatriz Olabarrieta’s exhibition ‘The only way out is in’ at Sunday Painter.

  More information on the exhibition HERE. On the work of Beatriz Olabarrieta I’m sitting at a table on a chair that is too stiff in an office that is too warm, connected to the world outside by an old

Writing: Merlin Carpenter at Simon Lee (for Artworks London)

More Info HERE. Or read below: While the paintings are up on the wall in Merlin Carpenter’s show Do Not Open Until 2081, there isn’t much to see. They’re covered in cardboard, packed and ready for transport. It’s a sight familiar

Writing: Merlin Carpenter at Simon Lee (for Artworks London)

More Info HERE. Or read below: While the paintings are up on the wall in Merlin Carpenter’s show Do Not Open Until 2081, there isn’t much to see. They’re covered in cardboard, packed and ready for transport. It’s a sight familiar

Writing: Vitamin C published by Phaidon

I’ve written on the work of Lynda Draper, Rosmarie Trockel, and Francesca DiMattio for Vitamin C, published by Phaidon. The book surveys recent trends in contemporary ceramics. More information HERE. 

Writing: Vitamin C published by Phaidon

I’ve written on the work of Lynda Draper, Rosmarie Trockel, and Francesca DiMattio for Vitamin C, published by Phaidon. The book surveys recent trends in contemporary ceramics. More information HERE. 

Publication: Ringbinder, Jeffrey Dennis out on Slimvolume/NGCA

I’ve co-edited a book on the British painter Jeffrey Dennis with Andrew Hunt. Ringbinder reflects on Jeffrey Dennis’ development in Britain and the US since the early 1980s. The artist’s recent work has been typical of painting’s wider expansion since

Publication: Ringbinder, Jeffrey Dennis out on Slimvolume/NGCA

I’ve co-edited a book on the British painter Jeffrey Dennis with Andrew Hunt. Ringbinder reflects on Jeffrey Dennis’ development in Britain and the US since the early 1980s. The artist’s recent work has been typical of painting’s wider expansion since